Big
Trucks
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This
one started as short, more like city
delivery truck. But I started to temper
with the design. I've honestly thought
that this truck is going to have more
screen time, or, at least, be more
distant from the camera and therefore
more of it been visible in the effect.
That's just one more victim of editing.
It could be vorse, I guess. It could
be completely out...
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At
this point I still wasn't sure if
it's going to be a short vehicle.
I based the design loosely upon Ford's
COE 1941, but this one has more prominent
nose and as a result doesn't look
much like COE truck. This impression
made it more suitable for a long trailer.
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Now
it's easy to see I didn't need that
truck so completed as it was. Top
portion is out of the view, but, as
I said, it should have been quite
different. If I was smarter, I'd know
better and I'd make just some facade-of-a-sort
trailer, and much simpler cab. Eventually,
I did that too, but the thing is,
I could probably pull it off just
with that another - short one. From
the start, I've been inspired by some
plastic parts for it's cab. It was
only a matter of putting them togeter.
So, have a look:
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And,
finally, I used the cab of this Short
Truck as a set decoration, a parked
vehicle. That way, this simple assembly
fullfiled it's purpose to the maximum.
Many things I did for this film was
usefull like this, but some, like
the one below, were a different story.
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Unfortunately,
I wasn't able to use the Garbage
Truck to it's full purpose. I made
it to the highest standards among
all vehicles, as the firmest of
them all, and the only one with
complicated, animable (for stop-motion)
mechanism for feeding it with garbage
containers. It was also capable
of supporting at least one walkable
puppet. I was even poundering about
mechanism for acheiving shock-absorbers
effect on breaking, when gabage
workers jump off, when lifting and
emptying the garbage container.
But at the end, I've dropped that
shot as unneccessary. It made it's
way into animatic, as the very last
shot, actually after the end, as
the end-title shot. I shot the background,
though. And I've left the truck
and garbage workers for the last
shot to do, in front of green or
blue screen. But, as I said, I gave
up on it. So it was lots of work
for nothing. It'd be good if that's
the sole example, but there's lot
of such mishaps in this film.
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This
truck, actually cab-alone, didn't
get much screen-time, and even that's
just a decorative function as a minor
element on the edge of a shot, or
maybe two. However, the cab was already
almost fully assembled by the time
I figured out I'm going to need something
different for that perticular spot.
I had a choice: I could re-paint in
different color some of the cabs I
already used, or - I could simply
fresh paint that cab?
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_1
The ARCTIC PIRATE index |
_2
Color chart development, coloring and
light tests |
_3
Storyboards, shooting plans, concept
arts, sketches |
_4
Puppets, from sketches to animation |
_5
Vehicles of all sorts: 5-I - Big Trucks |
_6
Houses and exteriors, from sketches
to final sets |
_7
Interiors |
_8
Small props |
_9
Graphics and maps for posters, banners,
press, signs etc. |
10
Shots against all odds |
11
Simple shots, confined spaces |
12
Basics: workbenches, tools, logistics,
etc. |
13
Miscellaneous |
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